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Painting --- restauratie (kunst) --- religieuze architectuur --- schilderkunst --- Conservation. Restoration --- painting [image-making] --- restoration [process] --- Michelangelo --- Rome --- Michel-Ange --- Peinture --- Schilderkunst --- #GGSB: Religieuze kunst --- #GGSB: Architectuur --- C3 --- 262.133.3 --- 75 MICHELANGELO --- 75.034 <45 ROMA> --- Kunst en cultuur --- Pauselijke kapellen. Sixtijnse kapel --- Schilderkunst--MICHELANGELO --- Schilderkunst van de renaissance; barok; rococo--Italië--ROMA --- 75.034 <45 ROMA> Schilderkunst van de renaissance; barok; rococo--Italië--ROMA --- 75 MICHELANGELO Schilderkunst--MICHELANGELO --- 262.133.3 Pauselijke kapellen. Sixtijnse kapel --- Geïnteresseerden in schilderkunst --- Religieuze kunst --- Architectuur --- Buonarroti, Michelangelo
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"Between Renaisance and Baroque is a stunning achievement - the first book to be written about the original painting commissions of the Jesuits in Rome. Offering a uniquely comprehensive and comparative analysis of the paintings and stuccoes which adorned all of the Jesuit foundations in the city during their first half century of existence, the study treats some of the most crucial monuments of late Renaissance painting including the original decorations of the church of the Gesu and the Collegio Romano, and the martyrdom frescoes at S. Stefano Rotondo."--Jacket
History --- painting [image-making] --- Art --- Society of Jesus --- Rome --- Christian religious orders --- anno 1600-1699 --- anno 1500-1599 --- #GBIB: jesuitica --- 75.046.3 --- 75.034 <45 ROMA> --- 271.5-7 --- Religie in de schilderkunst. Heiligenbeelden --- Schilderkunst van de renaissance; barok; rococo--Italië--ROMA --- Jezuïeten: liturgie en spiritualiteit --- Art, Italian --- Church decoration and ornament --- Counter-Reformation in art. --- Jesuit art --- 271.5-7 Jezuïeten: liturgie en spiritualiteit --- 75.034 <45 ROMA> Schilderkunst van de renaissance; barok; rococo--Italië--ROMA --- 75.046.3 Religie in de schilderkunst. Heiligenbeelden --- Counter-Reformation in art --- Art, Jesuit --- Christian art and symbolism --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Italy --- Rome (Italy) --- Art [Late Renaissance ] --- Art [Baroque ] --- Art [Italian ] --- Art jésuite --- Art de la Renaissance --- Art baroque --- Art chrétien --- Art italien --- Histoire. --- Renaissance tardive --- Rome (Empire) --- Romeinse school
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On account of the artists’ collaborative practice, Sebastiano del Piombo’s oeuvre is often misconstrued as a coloristic supplement to Michelangelo’s disegno or as a mere extension of the older master’s drawings and ideas. Marsha Libina’s book complicates this narrative by offering a critical reevaluation of the devotional art of Sebastiano del Piombo (1485–1547), an important Venetian artist whose Roman work stands at the nexus of questions regarding art, religious reform and the largely unexplored history of artistic collaboration. Investigating new ways of understanding Sebastiano’s interest in soliciting Michelangelo’s drawings as catalysts of invention, Libina tells the story of a collaboration driven neither by a compliant imitation of Michelangelo nor the reconciliation of opposing regional styles but, rather, by an interest in hermeneutically productive difference – generating complementary yet divergent approaches to art as a vehicle of reform. This volume presents an in-depth exploration of how Sebastiano’s experiments with the sacred image – like Michelangelo’s – were formulated in response to the early years of Catholic reform. The years preceding the Council of Trent saw the rise of divisive investigations into the repercussions of an increasingly mediated knowledge of the divine. Libina reveals how these concerns converge in Sebastiano’s new language of devotional painting, which embraces an aesthetic of figural stillness, isolation and psychological detachment. At a moment when religious debates and questions about the role of image-based devotion took center stage, Sebastiano’s work offered a reflection on what it meant to view and meditate on the body of Christ in the Renaissance altarpiece.
Painting, Renaissance --- Christian art and symbolism --- Sebastiano, --- Art chrétien. --- Contre-Réforme et art. --- Michel-Ange --- Sebastiano del Piombo --- Influence. --- Critique et interprétation. --- Art chrétien --- Création collective (art) --- Counter-Reformation and art --- Art and religion --- Michelangelo Buonarroti, --- Michelangelo --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- מיכאל־אנג׳לו בואונארוטי, --- Luciani, Sebastiano, --- Piombo, Sebastiano Luciani, --- Sebastiano del Piombo, --- Criticism and interpretation. --- Christian art. --- Series Christian art --- 75.034 <45 ROMA> --- 246 "15/17" --- 246 <45> --- 246 <45> Christelijke kunst en symbolisme--Italië --- Christelijke kunst en symbolisme--Italië --- 246 <45> Art et symbolisme chretiens--Italië --- Art et symbolisme chretiens--Italië --- 246 "15/17" Art et symbolisme chretiens--Temps Modernes --- 246 "15/17" Christelijke kunst en symbolisme--Nieuwe Tijd --- Art et symbolisme chretiens--Temps Modernes --- Christelijke kunst en symbolisme--Nieuwe Tijd --- 75.034 <45 ROMA> Schilderkunst van de renaissance; barok; rococo--Italië--ROMA --- Schilderkunst van de renaissance; barok; rococo--Italië--ROMA --- Sebastiano --- Luciani, Sebastiano --- Piombo, Sebastiano Luciani --- Criticism and interpretation --- Christian art --- Christian religion --- religious art --- samenwerking van meerdere kunstenaars --- kunst en godsdienst
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